南京林业大学学报(自然科学版) ›› 1989, Vol. 13 ›› Issue (03): 97-101.doi: 10.3969/j.jssn.1000-2006.1989.03.016

• 研究论文 • 上一篇    下一篇

园林风景水彩画技法

熊良猷   

  1. 南京林业大学林学系
  • 出版日期:1989-09-18 发布日期:1989-06-18

AN APPROACH OF WATERCOLOR TECHNIQUE TO SCENERY OF GARDENS

Xiong Liangyou   

  1. Department of Forestry
  • Online:1989-09-18 Published:1989-06-18

摘要: <正>描绘园林风景,历来都用中国画传统技法。近年来水彩画有较大发展,用水彩表现园林风景的日趋增多。园林风景水彩表现了园林美妙景观,画面有水色交融、透明流畅,轻快明丽的艺术效果。 园林风景的

Abstract: The technique of traditional Chinese painting has always been adopted in drawing scenery of gardens. Recently, however, the use of watercolor to display scenery of gardens has gradually been increased along with the coside-rable progress of watercolor itself. Such watercolor paintings display the beauty of gardens, in which water and color are intermingled, showing transparent, easy, smoothy, brisk, bright and beautiful effects of artistry on its general appearance. This is widely accepted.Among the principles of a view setting and a picture composition, the law of the unity of opposites is of baric importance for painting scenery of gardens, with varied forms of compsition including front view, bird’s-eye view, leaping over space lattice, pushing on or pulling back focus and long scroll, with techniques of expression including sketch, light coloring, washing with watercolor, coverlapping, wet contamination, learing blanks and harmonizing huse.